197

Authors:

 Zuanon, Rachel.

Title:

 It DANCES TECHNOLOGICAL, THE CONTAMINATED BODY BY THE TECHNOLOGY

Keywords:

 Dances Technological; co-evolution; co-collaboration; contamination; evolutionary.

Abstract:

 It dances Technological: the body contaminated by the technology proposes as investigative object a movement research starting from the action of the technology on the body that dances and of the action of the body that dances on the technology.
Approaching the co-evolution concept, this choreographic research works the agreement among body that dances and technology as a relationship of co-collaboration, where the interaction concept is changed by contamination, while body that dances and technology abandons an independence relationship and modify themselves one by the action of the another.
What intends when enunciating technological dance in this research is the possibility of a dance that it only wins existence, it is only built in the relationship, in the living together with the technology. A mutual contamination, modifier, creator of a structure of bilateral performance between technology and body, where an only body can be built evolutionary - the technological body - constituted by this human body that dances and for the body of the technology. Being distinguished like this, of the dance-technology concept, where see itself is an existence independence between dance and technology. They coexist, but its constructions are independent of a living together.
In this hybrid body, body that dances and technology is simultaneously organism and environment. The body is the organism that creates in the technology its environment for to reply, as well as, the technology is the organism that has the body that dances as environment to throw its information. Both information exchanges in a family environment, after all our nervous system is an incredible mixture of analogical codes and digital.
The environment that the organism technological body will need to create to guarantee its selection; the breaking of the limit inside / outside; the new configuration of the connection - nature and culture: that body and that technology will be built in that relationship; the contamination of the pattern of movement of this body that dances: the possibility of to establish another pattern; the contamination of the technology: another use of the technology by the body that dances; the virtual of a real body and the reality of a virtual body, they are some of the subjects that the body-technology transit inserts in this research.
Vehicles of possibilities not causal of a mental universe don't distinguish outside / inside, nor nature and culture separate, body that it dances and technology exchanges information analogical and digital in the complexity of a net that shares territories.
Zuanon, Rachel. zuannon@sili.com.br Pontifícia Universidade Católica - PUC/SP Rachel Zuanon, technological media artist, dancer and choreographer. Student Master in the Program of Communication and Semiotic - PUC/SP, where research Dances Technological: the body contaminated by the technology and participate of the Dance Studies Center , coordinated by Helena Katz and of the Group of Studies in Asiatic Arts Performances, coordinated by Christine Greiner, of this same Program. In 1997 she conceived, it made a choreography and she interpreted the show Dru - in co-responsibility with Ivani Santana - integrating the programming of dance of the event Art@Tecnologia, accomplished by the Cultural Institute Itaú. Also presented in 1998, in the Exhibition "Arte e Mídia", organized for COMPÓS - National Association of Programs of Masters degree in Communication. In the year of 1997, she had the photographic image of its responsibility - s/título-1994 - published in the book "Fotografia Pensante", of Luís Guimarães Monforte - Publishing SENAC. In 1996, she conceived the installation " VI Trissorri OGRIT Á ", exposed in the Museum of the Image and of Som/SP, in which established with the participant a physical interaction starting from the use of multiples supports and process several media. In 1998, she integrated the International and Several Discipline Event "Navegar é Preciso", accomplished by the Cultural Center São Paulo, in the show "Morse de Sangue", of Gaby Imparato conceiving and accomplishing scenery, video-art and exposition of the images in technological media; in the show "Formless", of Marta Soares, as dancer and in the show "Excerpt"", of Marta Soares, as Assistant of Direction. On this same year, it accomplished the graphic projects of the book: " Luz na Dança, Contornos e Movimentos" (RJ); magazine - "Repertório" (BA); Cooperative from São Paulo of the Dancers- Choreographers (SP); Center of Studies in Dance-PUC/SP, among others. It is the illustrations of the book it "Dança Butô, Pensamento em Evolução" (SP).